Monday, March 28, 2011

張國榮的自保與自毀


今期明周以張國榮做封面,訪問八年前他死前最後一個見的朋友。買的原因不是喜歡哥哥,而是對死亡著迷。

這個做室內設計師的朋友Alfred,在四月一日那天早上收到張國榮電話,說要約他當天吃午飯,Alfred見他的語氣凝重,便馬上答應他。張要約Alfred吃飯的目的似乎是拿他的身份證號碼,他後來才知道張在遺囑上留了一件禮物給他,可見他死意已決。

我覺得有趣的是張的行為不像一個一般我們以為會自殺的人:他那天張穿著Jil Sander的西裝,打扮整齊;當時沙士肆虐,張戴著口罩,開門時小心翼翼不敢碰門柄,生怕染病,但幾小時後卻從文華酒店一躍而下。一方面珍惜生命,一方面要毀掉生命:這種contradiction很耐人尋味。也許要自殺的人不是想毀滅生命而是毀滅痛苦,但當痛苦太大,變成了生命的大部分,便不得不連根拔起。

Wednesday, March 16, 2011

Speechless--Synopsis



Speechless--Synopsis

A mysterious Westerner appears on a riverbank in a remote part of southern China one day, completely naked. He is taken to the local police station, where he refuses to speak. The police debate what to do. Strictly speaking, the man has not broken any laws. On the other hand they cannot simply let him go. Finally they decide to send the man to the hospital.

At the hospital, the Westerner still remains silent. He seems to be haunted by nightmares and scenes from his past. The doctor’s ministrations seem to make matters worse. Meanwhile, the Westerner forms a strange bond with the hospital’s orderly, Jiang. Even though they don’t share a language, they nevertheless share a common bond. When he learns that the Westerner is about to be transferred to a mental asylum, Jiang decides to rescue the Westerner.

Jiang takes the Westerner to his uncle’s village. As he plans what to do with the Westerner, Jiang accidentally discovers a secret about him that provides a key to the mysterious stranger’s past…

《無言》劇情簡介

一個年輕西方男子在中國南部一處偏僻的河岸被發現時,全身赤裸。他被帶回當地的警署問話,卻不言不語。在這種情況下,即使男子並沒有犯法,警方卻難以就這樣由他離開,於是把他送往醫院接受觀察。

男子在醫院裡依然沉默,彷彿被記憶和夢魘所困,而院方的照料似乎只導致他的情況更糟糕。在醫院裡,男看護小江對西方男子多加照顧,即使二人語言不通,卻互相感到一種莫名的親切感。

當小江知道西方男子即將被送往精神病院時,他毅然救他出來,並把他暫置在他舅舅的村裡。就在小江思巧下一步的行動之前,他意外發現西方男子的一個秘密,從而得知他不可告人的過去…

Thursday, March 10, 2011

Marianne in Hong Kong

When she walked on stage my first thought was, "My, she looks old." But as soon as she opened her mouth to sing my tears began to flow. The raspy voice is still expressive and pitch perfect. I thought about the life this woman's lead, and now she's singing in this dingy concert hall maybe 70% full. How is it that a person who sang about pussies and drugs came to be in the Arts Festival? Apparently when you get to be old enough you're considered Art.

She sang all her "hits", or as she puts it, "the songs everybody likes"--Lucy Jordan, Sister Morphone, Why D'you do it, Strange Weather, Broken English, Working Class Hero and of course, As Tears Go By. I got a huge kick out of Times Square. The song perfectly captures the mood of the Seventies, the sense of disillusionment and decadance. It's a song that encapsulates her life, in a way. Wish she'd sung Fallen From Grace, though.

When she introduced her band, I thought the name of the music director and keyboard player, Kate Saint-John, rang a bell. Turns out she used to be in The Dream Academy. Now that's a band due for a reunion.

Wednesday, March 2, 2011

Speechless preview


The editing on Speechless is almost done. Hopefully I'll have picture lock by next week. In the meantime I want to share some screen grabs. The picture quality is amazing on the Canon 5D Mark 2.

Tuesday, February 15, 2011

劉吳惠蘭的微表情


旅遊界議員謝偉俊揭露前幾天他跟商務及經濟局局長劉吳惠蘭討論政府應如何加強監管旅遊業時,他們的討論變得激烈,局長語帶恐嚇地對他說:「小心你的政治前途。」今天局長會見記者時否認有關指控,以下是她顯露出的微表情。當時她在說:「我並冇講過謝偉俊議員同傳媒所講關於佢政治前途的問題,我真是感到莫名其妙的。」

從她的表情,特別是緊抿著嘴巴,咀唇向下的神態,我看到憤怒與contempt,但沒有任何委屈,也沒有她所說的莫名其妙。我覺得她在想:"How dare you!我是堂堂局長,你竟敢這樣說我!" 而不是"我是無辜的。"所以我傾向相信謝偉俊,她的確有這樣對他說。

若你看整段片,你會發覺後半段當她解釋即將推出的旅遊業監管架構時,剛才提到的微表情不再出現,她的表情又回復正常。

Sunday, February 13, 2011

真正的特權階級不是菜園村民


這幾天跟人在討論區辯論菜園村,很失望看到討論十分低層次,只圍繞菜園村民如何拿「巨額」賠償,不應享有特權等,但對發展本地農業、保育等卻完全沒有提及,彷彿一切問題的核心都是錢。網民認為賠了錢就應該走,賴死不走就是不對,而主流媒體也好不了多少,明報那篇「菜園村民不應享有特權」對村民訴求的不理解更是令人驚訝。

最可笑的是大家對真正的特權階級--新界的鄉紳土豪視若無睹。多年來他們不事生產,只靠買賣丁權、收租渡日,把土地荒廢或者把非法把農地租給舊車場、貨柜場,引致金屬污染,令美好的土地永不超生。這批原居民根本沒有好好保育屬於全香港的土地,反而想藉耕種保育土地的菜園村民卻慘被欺凌、抹黑,足見這個社會有多墮落!反觀其他亞洲國家如台灣、日本、韓國等對生態保育、本地農業等議題都有很好的討論,社會(至少在我這外來者的角度)似乎普遍支持保育人士的訴求,香港經歷了回歸,理應對這地方有很大的歸屬感,為何普遍人民仍只是往錢看?

Wednesday, February 2, 2011

愛很爛

剛看過雲翔的新作《愛很爛》,這是他四部作品中作者角度最明顯和突出之作,可能與他今次沒有執行導演,完全自編自導有關。影片有幾組人物的段落組成,互相沒有關連,只是都見證主題所說的愛很爛--其中有涉及金錢的佔有、有兄妹亂倫、有愛得瘋狂把對方殺掉。

這些故事很多都從本地新聞取材,但一班演員有些說英語,有些說日文,有些說普通話,感覺很抽離。在這片中雲翔(還有剪接張叔平)完全放棄了傳統故事的結構和起承轉合,每組人物的遭遇都以片段式交代。我看完片後告訴雲翔,什麼人拍什麼電影。你的電影就像你,我行我素,沒有企圖取悅任何人,就像對人說「這是我的世界,你喜歡便來看看。」

雲翔的世界有獨特的規律,愛與死亡永遠交纏,慾火往往與obsession緊扣。電影裡面的人物看似肉慾橫流,但內心都脆弱不堪。雲翔不喜歡用明星,但愛重覆使用某些演員,我想最類近的導演是Paul Morrissey,同樣的具獨立視野,同樣的自成一國。當這部戲上映時,肯定焦點都會放在那場打真軍口交戲,也會有人說他計算,這將是對他最大的誤解。